L'Amour D'Arthur (from FASS '97)

  Cast of Characters:

King Arthur, King of Camelot (ARTHUR)
Queen Guinevere, his queen (GUINEVERE)
Sir Lancelot, the brave French knight (LANCELOT)
Merlin, the sorcerer (MERLIN)
Morgan Le Fay, the sorceress, Arthur's sister (MORGAN)
Kate, a UW student transplanted to Camelot (KATE)
Edith, a lady-in-waiting (EDITH)
Nick, a stablehand (NICK)
plus various Castle Staff for song



(LIGHTS UP. THERE IS A COUCH AND A COAT RACK ON WHICH HANGS LANCELOT'S ARMOUR. BEHIND ARE THREE DOORS (MAYBE JUST DOOR FRAMES WITH CURTAINS) LABELLED #1, #2, AND #3. A SIGN ABOVE THE DOOR READS "ROYAL NOOKIE CHAMBERS". ONE SIDE OF THE STAGE LEADS TO CASTLE ENTRANCE WHILE THE OTHER LEADS TO ANOTHER ROOM IN THE CASTLE. ENTER THE CASTLE STAFFERS WHO SING)

The Royal Nookie Chambers
(to the tune of:)
Wells Fargo Wagon

ALL: Oh, in the Royal Nookie Chambers, there'll be fun galore tonight
We'll do whatever turns us on
Cuz in the Royal Nookie Chambers, we're all gonna score tonight
We hope that we can keep it up till dawn
SINGER 1: We have a big four poster bed you can be tied to
SINGER 2: Our whips and chains are sure to leave you raw
SINGER 3: Maybe you'd like goats or sheep or chickens
SINGER 4: Or two french girls who will join you in menage a trois

ALL: Oh, yes, the Royal Nookie Chambers are a great facility
There's something here for ev'ryone
And in the Royal Nookie Chambers, the serfs and nobility
Will all come together when they come
SINGER 5: Oh, do you want to watch the action through a peep hole?
SINGER 6: Do you desire a sapphic romance?
SINGER 7: Do you keep your incest in the family?
SINGER 8: And is the horizontal mambo what you want to dance?

ALL: Oh, yes, the Royal Nookie Chambers are a busy place
They are now the kingdom's hottest hot spot
You could have a knight, a lady, or a peasant farmer
Or you could have
(Yes, you could have, if you're lucky, then you could have)
The royal king of (Yes, that's Arthur,
he's the king of, horny king of)
Camelot

(THE CASTLE STAFF EXITS. ENTER LANCELOT AND GUINEVERE FROM CHAMBER #2. LANCELOT SPEAKS IN AN OVER-EXAGGERATED FRENCH ACCENT. GUINEVERE MOVES TO THE END OF THE COUCH.)

GUINEVERE: (STRAIGHTENING HAIR AND CLOTHES, NONE TOO IMPRESSED) Two whole minutes. I think that's a new record. Maybe we can do it again some time.

LANCELOT: (BOWS, TAKES GUINEVERE'S HAND AND KISSES HIS WAY UP HER ARM) Why, of course, my queen. Sir Lancelot, knight of passion, is yours for the taking.

GUINEVERE: Uh-huh.

LANCELOT: Take me now, mon petit chou. (PUSHES GUINEVERE OVER THE ARM OF THE COUCH AND CRAWLS ON TOP OF HER.)

GUINEVERE: (PULLING HERSELF OUT FROM UNDER LANCELOT AND CLIMBING OVER THE OTHER END OF THE COUCH.) You know, I'll never understand what you Frenchies find so romantic about cabbage.

LANCELOT: (CRAWLING ON HIS KNEES ACROSS THE COUCH TO GET TO GUINEVERE) Why? The cabbage is so ripe, so round, so firm, like --

(ENTER EDITH IN A PANIC)

EDITH: Your majesty!

LANCELOT: Yes, very much like your majesty!

(LANCELOT LUNGES AT GUINEVERE WHO STEPS OUT OF THE WAY, CAUSING LANCELOT TO FALL OFF THE COUCH ON HIS FACE.)

EDITH: It's the king!

GUINEVERE: Quick, Lance. You must hide! (GRABS LANCELOT BY HIS SHIRT AND DRAGS HIM, ON HIS KNEES, TOWARDS CHAMBER #2.)

LANCELOT: Oh! Oui, your majesty! Oui! Oui!

(GUINEVERE PROPELS LANCELOT INTO CHAMBER #2.)

LANCELOT: Wheeeeee!!!!!

GUINEVERE: And we'll need this (GRABS THE ARMOUR) and we'll need you. (GRABS EDITH)

EDITH: Your majesty!

(GUINEVERE PUSHES EDITH INTO CHAMBER #2 AND EXITS AFTER HER)

LANCELOT: (FROM CHAMBER) Oh, boy! Menage a trois! Menage a trois!

(SOUND OF A VERY LOUD SLAP FROM CHAMBER)

LANCELOT: Oh, yes, I was a naughty little knight, wasn't I?

(ARTHUR AND MERLIN ENTER FROM THE CASTLE ENTRANCE, TALKING. MERLIN IS A VERY NERDY MAGE, MAYBE A ROBE WITH A POCKET PROTECTOR AND TAPED GLASSES.)

MERLIN: Come on, Arthur. You're the ladies man. You've got to help me win the heart of Morgan Le Fay!

ARTHUR: My half-sister? Trust me, Merlin. She's a lousy lay.

MERLIN: You snogged your own half-sister! Eww, yuck!

ARTHUR: Whatever. Let's try something. Pretend I'm a beautiful woman. What would you do?

MERLIN: (DEMONSTRATING AS HE TALKS) Well, I'd strike a manly pose, saunter up to you and say (DEEP VOICE) "Hi, I'm Merlin, son of a demon"

ARTHUR: Hi, I'm Merlin son of a demon?

MERLIN: I'm proud of my heritage.

ARTHUR: Why not try talking about your mother's side.

MERLIN: (UNSURE) Hi, I'm Merlin. I'm a fairy.

(ENTER GUINEVERE, EDITH AND LANCELOT FROM CHAMBER #2. EDITH IS DRESSED ONLY IN HER UNDERCLOTHES. LANCELOT IS WEARING A WIG AND HAS EDITH'S DRESS ON OVER HIS ARMOUR. LANCELOT NOW SPEAKS IN A FRENCH-ACCENTED FALSETTO.)

GUINEVERE: Oh, hello, Arthur. I didn't hear you come in. You know my lady-in-waiting, Edith ...

(EDITH CURTSIES)

GUINEVERE: ... and this is my old friend ... Lancelina.

(EDITH NUDGES LANCELOT WHO CURTSIES)

LANCELOT: It is a pleasure to meet you, your majesty.

ARTHUR: Trust me, my darling, the pleasure is all my mine. (TAKES LANCELOT'S HAND AND KISSES IT.)

LANCELOT: (GIGGLING GIRLISHLY AND PULLING HAND AWAY) That tickles.

GUINEVERE: Lancelina was just leaving, Arthur.

ARTHUR: Merlin, go show Guinevere and Edith your new magic trick, you know, the one that takes forever.

MERLIN: Ohhh! That one. Right. Follow me, ladies.

ARTHUR: I'll stay here and entertain our guest.

GUINEVERE: (STIFLING A LAUGH) Whatever you say, darling.

(MERLIN EXITS TO THE OTHER ROOM. GUINEVERE AND EDITH FOLLOW. MEANWHILE, LANCELOT TRIES TO SNEAK QUIETLY TOWARDS THE EXIT OUT OF THE CASTLE. ARTHUR SPOTS HIM AND RUNS OVER TO HIM.)

ARTHUR: Tsk, tsk, tsk. Running away from the king can be dangerous to your health. Come, sit on the couch with me.

(ARTHUR LEADS LANCELOT TO THE COUCH. ARTHUR SITS ON THE COUCH JUST OFF-CENTRE. LANCELOT SITS ON THE OTHER SIDE OF THE COUCH, SQUEEZED AS CLOSE AS POSSIBLE TO THE ARM.)

ARTHUR: So, Lancelina, that's a strange name.

(ARTHUR MOVES SLIGHTLY CLOSER TO LANCELOT.)

LANCELOT: Oui. It is French.

ARTHUR: My friend Lancelot sent me postcards of french women. Oo-la-lah!

(ARTHUR MOVES STILL CLOSER TO LANCELOT AND PUTS HIS ARM AROUND HIM.)

LANCELOT: Your majesty, I never --

ARTHUR: Ooo! A virgin!

(ARTHUR GETS STILL CLOSER TO LANCELOT WHO IS TRAPPED AGAINST THE END OF THE COUCH AND CAN'T GET AWAY)

LANCELOT: I do not think --

ARTHUR: A french virgin who doesn't think! K-ching! I have hit the jackpot!

(ARTHUR GRABS LANCELOT AND IS ABOUT TO KISS HIM.)

MORGAN: (OFFSTAGE) Arthur! Wherefore art thou, Arthur?

(ARTHUR LOOKS UP. LANCELOT GRABS ARTHUR AND ROLLS HIM OVER THE END OF THE COUCH. LANCELOT GETS UP AND RUNS AWAY TO CHAMBER #3. ARTHUR STARTS TO CHASE AFTER HIM. ENTER MORGAN LE FAY. SHE IS A FEMALE MAGICIAN, WHO LIKE MERLIN, IS A GEEK. SHE SPEAKS IN A NASALLY SORT OF VOICE.)

ARTHUR: (DISINTERESTED) Hi, Morgan. What can I do for you?

(DURING THIS NEXT BIT, MORGAN IS OBLIVIOUS TO ARTHUR'S REPLIES AS SHE SLINKS GEEKILY TOWARDS HIM, BACKING HIM UP AGAINST THE WALL NEXT TO CHAMBER #3.)

MORGAN: Take me, brother, like you took me once before.

ARTHUR: That was a mistake.

MORGAN: I want to hear the angels sing.

ARTHUR: I was drunk.

MORGAN: I want to feel the earth move.

ARTHUR: It was a choice between you and a goat.

MORGAN: I want you to feel your sword in my stone.

ARTHUR: I should've taken the goat!

(MORGAN KISSES ARTHUR PASSIONATELY. ARTHUR BREAKS THE KISS.)

ARTHUR: Someone's coming!

MORGAN: Oh, yes! Yes! YES!

(ARTHUR GRABS MORGAN AND PUSHES HER INTO CHAMBER #3.)

ARTHUR: (TO MORGAN) Go ahead and start without me.

(WHEN ARTHUR IS NOT LOOKING, MORGAN PUSHES LANCELOT OUT OF CHAMBER #3. HE HIDES IN #2. EDITH ENTERS FROM THE OTHER ROOM STILL IN HER UNDERWEAR.)

EDITH: Oh, hello, your majesty.

ARTHUR: Ah, Edith, the lady-in-waiting. Waiting for me, perhaps?

EDITH: Well --

(ARTHUR BEGINS ADVANCING ON EDITH, WHO IS SLOWLY BACKING AWAY.)

ARTHUR: Shh! This is not a time for words. It is a time for action. And you're certainly dressed for action.

EDITH: Actually, this was the Queen's idea.

ARTHUR: Really?!? And it's not even my birthday.

(ENTER NICK THE STABLE HAND, LIMPING SLIGHTLY, FROM THE CASTLE ENTRANCE. WHILE NICK IS TALKING TO ARTHUR, KATE RUNS IN FROM THE CASTLE ENTRANCE AND HIDES BEHIND THE COUCH. KATE LOOKS LIKE SHE FELL IN A PILE OF MANURE.)

NICK: Excuse me, sire. I was just mucking out the stable, when ... poof ... a strange girl fell out of the sky right smack dab in the middle of my pile of manure.

ARTHUR: Well, if there's a strange girl in my castle, it's my kingly duty to mate ... er ... meet her.

(EXIT NICK AND ARTHUR TO THE CASTLE ENTRANCE.)

EDITH: (TO KATE) It's okay, they're gone. Wanna tell me what's going on?

KATE: (COMING OUT FROM BEHIND THE COUCH) One minute I'm in Waterloo. The next, I'm in Camelot up to my ears in shit. All thanks to two geeks who are only slightly brighter than a total eclipse.

EDITH: (SITTING ON THE COUCH) Oooo-kay. Oh, and in case it wasn't obvious, watch out for the king.

KATE: Huh?

EDITH: You're a beautiful woman. King Arthur collects beautiful women like other kings collect taxes.

KATE: (SITTING DOWN NEXT TO EDITH) He won't get me. I'm a lesbian.

EDITH: I don't think your nationality matters.

KATE: No, you don't under-- Do you really think I'm beautiful?

(ENTER NICK AND ARTHUR FROM THE CASTLE ENTRANCE.)

ARTHUR: Ah, you must be our mysterious guest, my dear.

KATE: The name is Kate, not my dear.

ARTHUR: A rose by any other name would smell as sweet.

(ARTHUR GRABS KATE'S HAND. SHE STRUGGLES AGAINST HIM BUT HE SUCCEEDS IN TAKING HER HAND AND IS ABOUT TO KISS IT WHEN HE NOTICES THE SMELL.)

ARTHUR: Phew! You'd better get cleaned up. (INDICATES CHAMBERS). I'll join you shortly.

KATE: Oh, boy, I can hardly wait.

(KATE EXITS TO CHAMBER #3.)

NICK: I think she'll clean up to be a right purty filly, if you know what I mean.

ARTHUR: Yup, Excalibur will be carving a few notches on the old bed post tonight. (TO EDITH) Perhaps I can persuade you to join us.

NICK: No offense, sire, but Edith's *my* girlfriend. You can't have your Kate and Edith too.

(MORGAN FLEES FROM CHAMBER #3 WITH KATE REACHING AFTER HER. MORGAN HIDES IN CHAMBER #2. LANCELOT FLEES FROM CHAMBER #2 AND HIDES IN CHAMBER #1.)

EDITH: (MOVING TO NICK) So, Nick, do you have the riding crop?

NICK: Yes, and I've oiled the saddle.

EDITH: (DROPPING TO HER HANDS AND KNEES IN FRONT OF NICK) Ride'm, cowboy!

NICK: (CLIMBING ON EDITH'S BACK) So long, sire, we're off to horse around in the stable.

(EDITH AND NICK EXIT TO THE CASTLE ENTRANCE.)

ARTHUR: (TO THE AUDIENCE) Ah, the burdens of kingship. Do I want what's behind door number one, door number two, or door number three? Hmmm. Well, three always was my lucky number.

(ARTHUR EXITS TO CHAMBER #3. KATE, HALF-DRESSED, EXITS AND FLEES TO #2. MORGAN FLEES #2 AS ARTHUR EXITS #3. ARTHUR SPOTS MORGAN AND FLEES. MORGAN CHASES ARTHUR AROUND THE COUCH AND INTO #1. LANCELOT FLEES #1. ARTHUR FLEES #1 FIGHTING OFF MORGAN. ARTHUR SPOTS LANCELOT FLEEING FOR THE ENTRANCE.)

ARTHUR: Wait! Come back, my little french tickler, it's time for the British invasion.

(LANCELOT EXITS WITH ARTHUR IN PURSUIT. ENTER MERLIN AND GUINEVERE FROM THE OTHER ROOM. MERLIN IS WEARING HANDCUFFS, STRUGGLING TO GET OUT OF THEM.)

MERLIN: Don't worry, your majesty. I have an extra key in my other robe.

(MORGAN STICKS HER HEAD OUT OF CHAMBER #1)

MORGAN: Arthur? He's gone, isn't he?

GUINEVERE: 'Fraid so.

(MORGAN ENTERS FROM CHAMBER #1.)

MORGAN: (SIGHS) I should have known better. Someone like me doesn't stand a chance with the great King Arthur.

GUINEVERE: Truth to tell, it's more like the mediocre-on-a-good-day King Arthur. Actually, the same can be said for Lancelot ... and Kay ... and Bedivere ... and Percival ... and --

MORGAN: I get the idea.

GUINEVERE: Look, I'm just saying it may take a while to find what you're looking for.

MORGAN: Do you really think there's someone for me?

GUINEVERE: There must be lots of guys who find you attractive. Right, Merlin?

(DURING THE FOLLOWING CONVERSATION, GUINEVERE SLOWLY AND KNOWINGLY BACKS OFF AND EXITS TO THE OTHER ROOM.)

MERLIN: (NERVOUSLY) Right.

MORGAN: (APPROACHING MERLIN) Do *you* find me attractive?

MERLIN: Gosh, I think you're even prettier than that great silver cloud you get when you add the powdered bat wings to a love potion.

MORGAN: Wow! *You* can make love potions! Mine just fizzle.

MERLIN: Do you use prepowdered bat wings or do you powder them yourself?

MORGAN: Merlin, did anyone ever tell you that you have the cutest way of scrunching your nose up when you talk?

MERLIN: Morgan, I love you. Ever since that day in the lab when we both reached for the eye of newt at the same time. Our hands touched and I knew right then and there that you and I would spend the rest of our lives making beautiful magic together.

MORGAN: Oh, Merlin! (GRABS MERLIN AND KISSES HIM)

MERLIN: By the way, did I mention that my father was a demon?

MORGAN: Cool!

(EXIT MORGAN AND MERLIN TOWARDS THE CASTLE ENTRANCE. KATE PEEKS OUT OF CHAMBER #2, SEES THERE IS NO ONE AROUND AND ENTERS. SHE IS NOW DRESSED IN MALE CLOTHING, INCLUDING AN EXAGERATED CODPIECE. SHE CARRIES A HAT.)

KATE: (PUTTING THE HAT ON WITH HER HAIR UP UNDER IT) There. That old lech will never recognize me dressed as a man. (GRABS CROTCH AND ADJUSTS CODPIECE)

(ENTER LANCELOT RUNNING FROM THE CASTLE ENTRANCE. HE SPOTS KATE AND SHE SPOTS HIM. THEY STARE AT EACH OTHER AND SLOWLY CIRCLE THE COUCH UNSURE OF EACH OTHER. FINALLY, KATE TACKLES LANCELOT AND THE TWO GO DOWN ON THE FLOOR TOGETHER WITH KATE ON TOP.)

LANCELOT: Non, non, Monsieur. I am ... a lesbian.

KATE: Great! So am I!

(KATE ATTEMPTS TO KISS LANCELOT. HE ROLLS HER OFF HIM AND STANDS UP. ENTER ARTHUR FROM THE CASTLE ENTRANCE.)

ARTHUR: There you are, my little french fry. Let me smother you in catsup and eat you from head-to-toe.

LANCELOT: Non!!!!!!!!!!!!!!!

(ARTHUR CHASES LANCELOT AROUND THE STAGE AND BACK OUT THE CASTLE ENTRANCE. KATE STANDS. ENTER GUINEVERE FROM THE OTHER ROOM, LOOKING FORLORN. SHE DOES NOT NOTICE KATE AND SITS DOWN ON THE COUCH AND SIGHS.)

KATE: (TO GUINEVERE) Hello. (CORRECTS VOICE TO BE DEEPER) Hello, I'm Kate ... tar. Katar. The name's Katar. (MOVES TO SIT ON COUCH BESIDE GUINEVERE)

GUINEVERE: You're not from around here, are you, Katar? That's a very unusual name.

KATE: I'm a very unusual man. (PULLS OUT HANDKERCHIEF AND HANDS IT TO GUINEVERE) Here. We can't have tears ruining that beautiful face. What's wrong?

GUINEVERE: You want to talk about me? You *are* an unusual man. I just want someone to make me happy, someone who talks to me as an equal, someone who cares what I'm feeling, someone who has sparkling blue eyes. Oh, Katar! I want you!

(GUINEVERE POUNCES ON KATE AND STARTS CARESSING HER.)

GUINEVERE: You're so soft ...

KATE: There's something you should know --

GUINEVERE: (OBLIVIOUS TO KATE'S WORDS) ... so tender ... (BEGINS TO MOVE HAND TOWARDS CODPIECE.)

KATE: I'm not what you think you I am --

GUINEVERE: (CARESSING CODPIECE) ... so -- (CODPIECE COMES OFF IN HER HAND) Arggggghhhhhhhh! I broke it! I broke you!

KATE: Calm down, Guinevere. I'm really a woman.

GUINEVERE: A woman! But you ... and ... me?

KATE: Why not?

Obligatory Lesbian Love Song
(to the tune of:)
King Herod's Song


KATE: Guinevere, I'm overjoyed
To hold you in my arms
I'm afraid I can't resist
Succumbing to your charms
This may sound queer
Cuz I can't be straight
Oh, Guinevere, I love you so
Please let me demonstrate

GUINEVERE: Wait, I don't understand
Don't we still need a man?
Oh, who will lead when we dance?
Most of all, who'll wear the pants?
Yes, who'll be my king?
And just what would go "schwing?"
Aren't we missing something?

KATE: Guinevere, when you're with me
We'll both have equal rights
Won't be damsels in distress
To please some macho knights
We'll love each other
With one heart and soul
Best of all,
We have no need for using birth control

GUINEVERE: Kate, it's you that I choose
Let's wear sensible shoes
Men don't please me very much
I desire a woman's touch
You're the girl of my dreams
I'm the new fairy queen
C'mon, and kiss me, Kate

(KATE GRABS GUINEVERE AND THE TWO KISS PASSIONATELY. THEY EXIT TO CHAMBER #2. ENTER LANCELOT, STILL IN DRAG, BEING CHASED BY ARTHUR. ARTHUR ENDS UP CHASING LANCELOT AROUND THE COUCH. FINALLY, ARTHUR VAULTS OVER THE COUCH TO CUT OFF LANCELOT. ARTHUR GRABS LANCELOT.)

ARTHUR: So, my little French horn, I have you at last. (FEELING LANCELOT'S ARMS) Ooo! Your arms are so strong and muscular.

LANCELOT: I work out regularly.

(ARTHUR TAPS ON LANCELOT'S SHOULDER. A CLINK CLINK SOUND IS HEARD.)

ARTHUR: And you're wearing armour.

LANCELOT: My father is very overprotective.

ARTHUR: No problem, my dear, I have a can opener. (BEGINS TO RUN HIS FINGERS THROUGH LANCELOT'S WIG. THE WIG COMES OFF IN HIS HAND.) Lancelot!?!

LANCELOT: (BACK TO HIS NORMAL VOICE) It was not my fault. It was all Guinevere's idea!

ARTHUR: Oh, I'm sure it was. Speaking of which, where could she be?

(ENTER KATE AND GUINEVERE, HAND IN HAND, FROM CHAMBER #2. THEIR CLOTHES AND HAIR ARE DISHEVELED. LANCELOT AND ARTHUR'S JAWS DROP IN DISBELIEF.)

GUINEVERE: Ah, good, you're both here. Lancelot, our affair is over. I've discovered that lovemaking is a long distance event, not a sprint. And Arthur, my lawyer will be in touch. As for me, Kate and I are now a couple.

ARTHUR & LANCE: Can we watch?

GUINEVERE & KATE: No!


(GUINEVERE AND KATE EXIT BACK TO CHAMBER #2. LANCELOT AND ARTHUR SIT DOWN ON THE COUCH. THERE IS A BRIEF UNCOMFORTABLE SILENCE.)

LANCELOT: So, do you come here often?

ARTHUR: Maybe I can still find that goat.

(LIGHTS DOWN)